We use technologies, such as cookies, to customise content and advertising, to provide social media features and to analyse traffic to the site. We also share information about your use of our site with our chosen social media, advertising and analytics partners. Read our cookie policy for more information.

Freelance Touring Abroad

What you need to know

On this page you will find information about:

  • Contracts, fees and expenses
  • Accommodation
  • Permits, insurance and customs
  • Working with promoters and tour managers
  • PPL and PRS

If you are offered gigs or tours abroad as a freelance musician, here is some basic advice:

1. This may seem obvious but firstly ensure that all members of the band have current and full, ideally computer-readable, passports.

2. The tour or engagement should be covered by a written contract (in English) and this should be vetted by the MU. It is difficult for us to assist you in recovering unpaid fees, either by legal action or trade union representation, if we have not seen the contract in the first place.

3. Fees should never be less than those paid in the UK for similar performances. If you are working with a new promoter, it is wise to ask for some sort of deposit in advance and further payments should be made promptly during the tour at the times specified in the contract.

4. All travelling expenses from the UK to the country abroad, in that country and return must be paid by the promoter. Once again, it is wise to try and get these pre-paid so that you have return tickets in your possession before you leave home.

5. Accommodation is normally provided by the promoter. Where this consists of bed and breakfast, an additional subsistence payment should be paid to each musician. These payments are commonly referred to as per diems and should not be less than £50 per day.

6. Work permits are required in all non-EU countries. 

7. Ensure your equipment insurance policies cover you abroad (the insurance provided as part of MU membership is worldwide but needs to be activated, and have your contract checked). It could also be advantageous to have up-to-date Electrical Safety Certificates for all the equipment that you intend to take with you.

8. To get your instruments through Customs on the way out and on return you will need a Carnet. Details of how the Carnet system works are available from the London Chamber of Commerce, 33 Queen Street, London EC4R lAP. Call 020 7248 4444 or visit londonchamber.co.uk

9. There is always the possibility of illness or accident during the time you are abroad and you should therefore ensure that you are covered for medical treatment and legal expenses. For details of the medical services available overseas, contact the HMRC NI helpline for non-UK residents on 0845 915 4811 or visit hmrc.gov.uk/liveorworkabroad

10. Read our short guide to overseas taxation and social security for UK musicians. It's important that you're aware of issues such as the potential imposition of a withholding tax before you perform abroad.

11. Public Performance Levies. As in the UK, when you perform your songs you should be paid a royalty through the local equivalent of PRS for Music. This money normally comes to PRS for Music and to you, as a PRS for Music member.

To assist you in getting your money as soon as possible, PRS for Music has suggested that if they receive the following details, they will pursue the recovery of monies, rather than waiting for the local society to account to them:

  • Writers and PRS for Music membership numbers.
  • Detailed tour itinerary.
  • Details of the promoter(s).
  • Setlist.
  • Copies of any final show settlements (upon completion).

12. If you are travelling by van, it is sensible to join the AA/RAC/Green Flag and take advantage of their free advice on motoring abroad.

13. If you are taking along amplifiers or other electrical equipment, ensure that you have information concerning plugs and power supply for the countries you’ll be visiting.

14. Members should be aware that requests for legal assistance in relation to foreign claims must be considered against the MU’s criteria for legal assistance. Such claims are often not cost effective to pursue (as is required by Criterion 3) and the reality is that if no upfront payment is obtained, members may remain completely unpaid for their services.

Tour management

If a band is at the level where it is able to take on freelance musicians and foreign tours, there will usually be a tour manager whose job it is to make all the travel arrangements.

A competent tour manager can take a large portion of logistical stress off the musicians’ shoulders when they are touring overseas, as MU member and Kasabian drummer Ian Matthews discovered when travelling with the indie rock band as a hired hand, before becoming a permanent member.

‘When I started out as a session guy, Kasabian already had a tour manager and a guitar/backline tech, so things like my drum kit were being dealt with for me,’ he says. ‘The tour manager was dealing with logistics, so my visa was dealt with, except for the US. No matter who you are, you end up queuing outside the US Embassy.’

LGBT Travel Advice

Related downloads

MU Fair Engagement Guide for Performing and Touring with Featured Artists 2019 (PDF 3.52 MB file opens in new window)