We use technologies, such as cookies, to customise content and advertising, to provide social media features and to analyse traffic to the site. We also share information about your use of our site with our chosen social media, advertising and analytics partners. Read our cookie policy for more information.

Music Streaming

A fast-growing sector

On this page you will find information about:

  • The streaming sector
  • Streaming royalties
  • What to look for in a contract

According to figures released by the BPI, streaming now accounts for over half of all UK music consumption. In December 2017, the industry witnessed a new landmark of 1.5 billion audio streams in a single week.

Streaming has changed the way in which millions of consumers access and organise their music, but given its rapid evolution the rules and regulations governing it are increasingly open to discussion and revision. The Musicians’ Union is involved in such discussions on behalf of its members.

How do they work out payment?

Streaming royalties are based on the number of times a track is played, and those artists whose work is streamed the most receive a larger portion of a service’s overall revenue. This means that if a user pays a subscription fee, that money isn’t directly distributed solely to the artists they listen to, but is rather paid out across all artists whose work is streamed by users of that service.

In this way, streaming royalties differ significantly from digital downloads.

The royalty rates and the manner in which they are calculated and paid out differ from service to service, and it’s difficult to specify exactly what you might receive from a stream of your work. Spotify, for examples, uses a formula to calculate royalties owed, and it can take 200 streams of a song to generate the same amount of money as a download royalty - see Spotify Explained for further details.

Hopefully artist royalities from streaming will increase as the streaming sector becomes ever more popular.

Check your contract

If you are signed to a label, check the royalty rate or percentage split set out in your recording contract.

It is likley that you will be getting the same split as for physical sales.

We believe this is unfair and along with the recently formed Artists, Managers and Performers’ Alliance (AMP) we are arguing that a 50/50 split (in line with licensing agreements) would be fairer when it comes to streaming.

Related downloads

Covid-19 Special rates for streaming (PDF 140.18 bytes file opens in new window)